Six millions years previously, Abigail Gentian, scion of an influential and rich family, made one thousand clones of herself and infused each one with her personality and memories. Since then “Gentian Line” has travelled the Milky Way at sublight speeds, exploring, experiencing and helping civilisations. Every two hundred thousand years, the “shatterlings” of Gentian Line come together in a grand reunion, to share experiences and memories, and to remember their lost.
Purslane and Campion are two shatterlings who, despite strong taboos against it, have fallen in love and travel together. They are thousands of years late for the coming reunion. Once they arrive, they find that the Line has been attacked for unknown reasons, and decimated.
The premise is interesting, tackling the tricky concept of deep time and societal survival. Is it possible for a planet-bound civilisation, or even an interstellar empire, to sustain its own existence beyond a few tens of thousands of years? And what of consciousness, machine or biological. How can these handle intervals of millions of years, even if many are spent in suspended animation?
Unfortunately, too much of the story depends on reactions to events that happened previously, which are revealed piecemeal in massive and awkward infodumps. The plot will grind to a halt as a character expounds for pages and pages on events of five millions years ago and how they explain the events of last year in perceived time (which perhaps actually happened fifty thousand years ago in actual time). The love story of Purslane and Campion is sweet and tragic and compelling, and that would have made a lovely book. However, the whole edifice is heavily weighed down by having to explain and analyse the effects of deep time and ancient history, making it an ungainly slog only rescued by Mr. Reynolds’s superb prose and flair for illustrating the immense. Ironically, the final chapters are absolutely beautiful and would have been an amazing coda to a less ponderous narrative.
In the early 22nd Century, a body is found in the river Tyne in the northern English city of Newcastle. The murdered man is a North, one of hundreds of clone brothers in the immensely powerful and rich North family. But which one? Detective Sid Hurst is assigned to lead what soon becomes a massive investigation. Earth and its colonies are linked through instantaneous travel gateways, with undesirables and jobless shunted out to the colonies. Massive corporate interests loom over society. Taxation is so high that everyone has “secondary” accounts, a deep grey economy of bribes and favors shadowing what is reported to the government. As Sid investigates, the mystery of the dead North deepens, leading finally to a geophysical expedition looking for clues in the far-flung jungles of the world St. Libra, where mysteriously there is no animal life at all, only plant life.
Great North Road is a singleton book, but still retains Hamilton’s customary “big brick” format at over twelve hundred pages. The characters are many and the plot complex. The backdrop is detailed, with a rich backstory spanning decades. Strange societies and interesting people abound. Unlike most of Hamilton’s works, however, this one is very firmly grounded thematically in the contemporary world. Earth in the early 22nd Century seems stuck in a rut. There are technological advancements over today, certainly, but not as many as one would think. And definitely nothing that has changed the paradigm. The economy is still very much dependent on oil, albeit an artificial variant produced by genengineered algae. Government bureaucracy is powerful, massive, overwhelming and nonsensical. The ultra-rich are disconnected from normal society. The “failed capitalism” theme is powerful, a bit like that seen in the news today. Is this really the best way forward for society, or are humans meant for something more? And yet, forces are conspiring to break out from this path. Hope, as always, is a strong theme for Hamilton. And unlike in his big series, he manages to tie it all up neatly in the end.
