Pet Sematary – Stephen King

This one scared me. Really scared me. King mixes personal tragedy with plain supernatural scariness in a chilling blend. This novel also illustrates very well how King can write on many levels, and his fantastic mixing of themes.

Firestarter – Stephen King

Firestarter is an early King novel, and much “simpler” than his later work. The heroine is pyrokinetic. In other words, she can start fires. BIG FIRES. The government tries to harness her abilities, until everything inevitably goes terribly wrong. An uncomplicated but gripping page-turner.

The Big Picture – Douglas Kennedy

Ben Bradford is your typical Wall Street lawyer. Wife, two kids, house in upscale soutwestern Connecticut suburbia, big paycheck. But he hates it. He wanted to become a photographer, but through a combination of societal inertia and parental pressure, he ended up “doing the right thing” and becoming a lawyer. He still maintains photography as a hobby. Now his wife is sleeping around and his marriage is obviously on the rocks. In a heated moment, he accidentally kills his wife’s lover, a loser amateur photographer. And that’s where it all changes. Ben manages to get away with the murder and escape his old life. But will his new life be any better? Can he ever stop running from his past? And on another note: Can a life with a yearly $300k+ paycheck feel like a prison? Of course it can.

When it came out in 1997, this novel was very heavily marketed and hyped. It is just the thing to appeal to careerists who have dreamed of being something else at some point. Meaning all of them. Dreaming of not being in the grinder, of making one’s own hours as an artist or something else, of not being just another suit on the commute. A very 90s feeling after the heady 80s. Stay small, be your own man, don’t waste your life like your parents. All that good stuff. And deeper than that are themes of how you cannot really escape your past. Ben is forced to and does the best of it, but his past will always haunt him. To the author’s credit, he has not painted Ben as some cold blooded killer. Our hero is constantly dogged with guilt about what he has done.

Is this novel the work of genius as was hyped at the time? That’s a tricky question. Kennedy definitely has a smooth, uncluttered style. Nothing fancy, but it serves the narrative well as he focuses on the inner demons of Ben Bradford. If you can look past some of the far too conveniently coincidental plot points, there’s a good story here. As I read, I came to empathize deeply with the destiny of Bradford. His search for that ephemeral thing called “a good life”. His escape from suburban conformism. Having lived for a few years in that corner of Connecticut, I may have a particular perspective. The inhabitants tend to know where they are going in life and deviation from the path is discouraged. Still, some things about the novel annoyed me. There are the aforementioned rather too convenient plot twists, perfectly designed to lead Ben on the “correct” path. After the murder, it all becomes a bit predictable. Where is the chaos so present in real life? There’s also the constant flirt with “art”. In the novel, Ben often describes really great photographers as being passive observers who have freed themselves from the need to obsessively prod at the composition hoping that it will become more artful. But Kennedy does exactly this with his novel. It crosses the line into constructed and pretentious. This detracts from the very good story and thematic exposition within. It is a bit too obvious that Kennedy set out to write “the great American Novel”. But he’s trying too hard, and it shows. Bottom line: recommended, but not unreservedly.

Diplomatic Act – Peter Jurasik & William H. Keith

The story is somewhat stereotypical. Aliens from an advanced federation have been secretly watching Earth. However, they don’t understand that fiction is fiction. They kidnap an actor who plays a great diplomat on a science fiction TV show since they think he can help them defuse a potential galactic war. Back on Earth, they replace him with an alien in disguise.

Peter Jurasik is more well known as the actor who played Londo Mollari on Babylon 5. William H. Keith is a prolific author who also writes Military SF under the pseudonym Ian Douglas. The novel is a cute piece, and frequently laugh out loud funny. The satire elements are dead on. The aliens are neither all powerful nor all knowing. In fact, they are prone to big errors of judgement. As such, the interaction with our hero, who is completely out of his element once abducted, works very well. It is obviously written for laughs, but there are some very clever twists to the story.

Rule of Evidence – John G. Hemry

The third book in the JAG in Space series continues in the same vein as the first two. Incident followed by court martial. This time, however, Paul Sinclair’s girlfriend Jen Shen is accused of conspiracy, sabotage and murder after a freak accident on board the U.S.S. Maury.

This is, in my opinion, the best of the series. Maybe that is because so much is on the line personally for Sinclair. Maybe it is because of the kafkaesque elements of the story as Shen is accused and looks to be on her way to life in prison or even execution. While in Burden of Proof, circumstancial evidence was used to chuck a bad officer out of the Navy, now it is being used to build a case against someone innocent. The ethical dilemmas posed make the books interesting, and this one especially so.

Note: Hemry also writes under the pseudonym Jack Campbell.

A Just Determination – John G. Hemry

The first book in the “JAG in Space” series is a short and neat novel about a young ensign, an incident, and a court martial. Hemry delivers a page turner. Not the heaviest reading, to be sure, but there are depths between the lines. There is in fact quite a decent coming of age story between the covers.

I am always partial to books where I can identify with and feel sympathetic with the characters. Hemry is excellent at making the reader (well, this reader at least) identify with protagonist Paul Sinclair during his struggles on his first deployment. The other crew members of the U.S.S. Michaelson are a mix of good and bad, with wildly varied motivations, just like in real life. Overall, the characters feel well fleshed out, and Hemry is skilled at portraying both them and the action, entirely from young Sinclair’s perspective.

It could perhaps be argued that this novel’s setting is incidental, and that it would have worked just as well on the sea. That may be so, but that does not detract from its appeal. A fine read.

Note: Hemry also writes under the pseudonym Jack Campbell.

Fatherland – Robert Harris

In this classic alternate history novel, Germany won the Second World War. The premise is very interesting, of course, but it is only the background as Harris weaves an interesting tale of crime in an alternate Berlin of the nineteen sixties. It provides interesting insights about what can happen when a totalitarian society on a war footing must in the end “settle down” and become a nation at peace. And then there is that deep, dark, covered-up secret that nobody wants to talk about: The Holocaust.

 

The First Immortal – James L. Halperin

This story about how cryonics succeed follows a small group of people “through” cryogenic freezing to the society evolving in the aftermath of its success. The subject matter is very interesting and the book raises some fascinating questions. Unfortunately the writing itself is not particularly inspired.

Spook Country – William Gibson

This is the second book in the Bigend Trilogy, following the superb Pattern Recognition. Once again, Hubertus Bigend is looking for something. Our protagonist Hollis Henry is a former rock star who ends up entangled in a weird scheme to deter the laundering of money destined for Iraq.

As usual, Gibson knows how to construct a sentence, a paragraph, and a chapter in a flamboyantly artistic fashion that both dazzles and explains perfectly what is going on. Descriptions of places, things, actions and people are all finely balanced and constructed with the obsessive care that is the author’s trademark. The prose is simply breathtaking.

Pity about the plot, then. Nothing really happens as the characters chase after the initially mysterious but, after its revelation, rather pedestrian MacGuffin. The conclusion left me with a “so what?” feeling. The story was rather slow and plodding and the ending left me indifferent.

The Bridge Trilogy – William Gibson

Consisting of:

  • Virtual Light
  • Idoru
  • All Tomorrow’s Parties

This series of three books is very loosely connected through some of the central characters. Although Gibson’s prose stands out as always, I felt that these novels were more an exercise in writing in a cool fashion than actual attemts at storytelling. The writing is even more florid and pared back than in the Sprawl Trilogy, and the books are not terribly interesting in their own right. It is Gibson, and worth reading, even though he has done much better.

 

In Conquest Born – C.S. Friedman

Certainly impressive for a first novel, In Conquest Born details the struggle between Anzha and Zatar, prime representatives of their endlessly warring nations. The structure of the novel is unusual, as every chapter is somewhat like a short story in itself, often with different narrators, viewpoints and styles. The advantage is that exposition can be made from several angles. The disadvantage is a certain feeling of disjointedness as the device weakens the motivation to find out what happens next.

The narrative is epic with regards to time, space, and character development. The characterization is masterful indeed. Friedman goes on a deep dive into the conflicting cultures of the novel, especially the secretive Braxaná. This is, in fact, more a story of people than of technology. Few scenes have more than two or three characters, and we are treated to a well written exposé of the workings of the mind. It is very far from hard SF. While it could be called Space Opera, I would define it a psychological SF story.

Friedman proves that she can write a very complex novel without leaving the reader hopelessly confused. For that she definitely deserves credit. I enjoyed this odd semi-classic, despite the fact that it was a slog at times. At the end was the reward. The surprise ending made everything clear, tying up the many many tangents.

The Hornblower Series – C.S. Forester

Set during the peak of the Age of Sail in the Napoleonic era, the books detail the exploits of Horatio Hornblower from Midshipman to Admiral. Full of action and adventure, they manage to include shiphandling minutiae without bogging down the story. Page turners for young and old alike. I would recommend starting with Beat to Quarters (AKA The Happy Return) since the earlier books by internal chronology (yet written later) tend to be of a slightly lesser quality.

Mr. Midshipman Hornblower – This short story collection covers the early career of our young hero, from his first onboard ship experience to his two and a half years of captivity in Spain. By the end, Hornblower is promoted to Lieutenant. Even though it is a short story collection, it flows quite nicely and is more of an episodic novel.

 

Lieutenant Hornblower – The still very young Hornblower has to deal with a tyrannous and insane Captain. He then distinguishes himself by helping in the destruction of a Spanish fortress and taking prizes.

 

Hornblower and the ‘Hotspur’ – Although the action is fast and furious, this one is a mite tedious. Hornblower spends a couple of years on blockade duty off the coast of France. This sort of duty was demanding and harsh, but also monotonous and performed in cold, dreary weather for much of the year.

 

Hornblower during the Crisis – The chronologically fourth novel is unfinished due to Forester’s death. Nothing much happens since only the first 100 pages or so are written. Hornblower is about to become a spy. Also included are a two short stories, the latter showing our hero in old age.

 

Hornblower and the ‘Atropos’ – This one is very episodic in a singularly annoying way. Apart from the one ship commanded throughout, there is no single thread to pull the reader along. Disappointing.

 

Beat to Quarters (known as The Happy Return in the UK edition) – The first novel to be written, this one is a masterpiece of plotting and action. Hornblower, in command of the frigate Lydia, heads to the Pacific coast of Central America in order to make life difficult for the Spanish colonies there. He also has his first encounter with Lady Barbara. The sailing and combat action is excellent, but one should not forget the evolution of the relationship with Lady Barbara. In the beginning, Hornblower strongly dislikes her, but in the end he loves her. And we see the process every step of the way.

 

Ship of the Line – Hornblower takes command of the two-decker Sutherland. He carries out five daring raids against the French, but ends up a prisoner after defeat against overwhelming odds. This one ends in a cliffhanger of sorts as our hero is imprisoned in French oppupied Catalonia. Great action, perhaps even better than in Beat to Quarters.

 

Flying Colours – This picks up immediately where Ship of the Line left off. Hornblower is on his way to Paris to be tried for purported war crimes. Napoleon is trying to score some propaganda points. However he manages to escape and makes his way back to England, where he finds a hero’s welcome. This one is quite introspective in some sections, with Hornblower’s cynicism and doubts coming to the fore. He hates himself in certain ways, not daring to realize how much he means to people. He is afraid of failure despite great success. And finally he cynically realizes how the British use him for propaganda as much as the French meant to. At the end of the book, we find Hornblower widowed with a young son. But Lady Barbara is also widowed. Opportunity awaits, perhaps.

Commodore Hornblower – Our hero is now married to Barbara, and in the landed gentry. He is sent on a mission to the Baltic to ensure that the Swedes and the Russians don’t join the war on the side of Napoleon. Action as usual but not a whole lot of character development.

 

Lord Hornblower – The action moves to the English Channel as the Napoleonic era draws to a close and the French mainland can now be invaded (ahem… liberated). The last part is pretty boring as Hornblower, together with his friends from Flying Colours, fights a guerrilla action against the new Napoleonic regime during the “hundred days” following the Emperor’s escape from Elba.

Admiral Hornblower in the West Indies – A short story collection in all but name. While mildly entertaining, Forester is basically treading water here. A disappointing ending after such great novels as Beat to Quarters and Ship of the Line.

Mother of Demons – Eric Flint

This early Flint effort shows signs of his future greatness. Hidden behind the horrid cover and the rather simplistic few humans on a hostile world lie deep layers of meaning. A human colonization ship to another star has an accident. The only survivors to make it to the habitable planet are a few scientists and an historian, along with a host of young children. The natives are in the local Bronze Age. The story tells of how the historian must overcome her fears of the evil she knows the future will hold, and help lead her small band, and native allies.

There is great moral strength in the story. Flint is unfortunately a bit too enamored with the historical concepts he is exploring. He shows greater maturity in later works such as 1632, where he is more subte about the whole thing. That being said, Mother of Demons is a fun read full of Flint’s trademark humor.

The cover and the blurb both annoyed me. While the cover is a very accurate depiction of a key moment in the story, and the blurb does sum up the key players rather neatly, I think they probably scared away a large part of the potential readership.

The Way to Glory (RCN IV) – David Drake

Leary has finally been promoted, but due to political machinations he is not given a new ship command. Instead, he is assigned as the executive officer of a paranoid Captain whose last move was to violently quash a mutiny by massacring the perpetrators, one of whom was a senator’s son. Leary cannot play humble, and ends up squarely in the sights of his superior.

The series certainly isn’t becoming dull, but I find that Drake missed an opportunity here. The main plot complication in the early part of the book is the contrast and conflict between Leary and Captain Slidell. However, Leary quickly manages to get himself assigned to detached duty, robbing the readers of a whole raft of interesting situations. If you can look past that, this is still a strong book in the series, though not quite as good as those preceding it.

The Belisarius Series – David Drake & Eric Flint

Military SciFi/Alternate history in which an evil empire appears in India in the fifth century. Famous historical general Belisarius receives a warning from the future and must counter the threat. This series goes deeper into philosophical and poetical tangents than similar works. Eric Flint’s classic wry humour pervades the prose. The books can almost be read as historical novels and contain quite a few interesting tidbits about the period. The series consist of:

  • An Oblique Approach
  • In The Heart of Darkness
  • Destiny’s shield
  • Fortune’s Stroke
  • The Tide of Victory
  • The Dance of Time

The sixth and final book, The Dance of Time came out over two years late and seems a bit of a late addition. It tied up all the loose ends neatly, even though the actual conclusion to the conflict was foregone by this time. However, the habit of the authors to show off their characters’s cleverness, while only a minor annoyance in the first five volumes, really grated on my nerves in the sixth book. Endless uses of “Why not?” and equally endless enumerations of “how cool are we” items both in the exposition and the dialogue are just plain bad style. Still and all, a satisfying conclusion.

Timeline – Michael Crichton

A corporation has developed a way to send people back in time. Something weird has happened, so a group of scholars is sent back to investigate. Needless to say, Bad Things happen. Well researched and written, and very hard to put down.

The Songs of Distant Earth – Arthur C. Clarke

As usual, Clarke has an interesting premise. Faced with the Sun going nova in the year 3600, humanity launches seed ships with the necessities for creating earth life, including humans. Some of these colonies succeed, including one on the island paradise of Thalassa. After seven hundred years, a manned colony ship with a million frozen humans appears in orbit. The (not frozen) crew of the ship needs water ice in order to rebuild the ablation shield on the ship and continue their journey. The novel describes how the very different groups of crew and inhabitants of Thalassa meet and interact over the course of the colony ship’s stay.

I found the whole thing naive in it’s view of humanity (everybody is unnaturaly wise and kind) and more than a bit a bit dull. While Clarke has many interesting ideas, and I certainly had no problem finishing the book, I found that there was a peculiar lack of tension. Clarke compensates with his mastery of the “sense of wonder” style, but this still isn’t enough to elevate this novel even close to the level of his masterpieces, like the Rama Series or The Fountains of Paradise.

As an interesting footnote, Mike Oldfield recorded an eponymous concept album based on themes from the book. It is one of my all-time favorites.

The Bear and the Dragon – Tom Clancy

A return to form for Clancy after the lackluster Rainbow Six, this novel nevertheless struck me as pretty formulaic. It was very cool, though, to see military cooperation between Russia and the United States. I enjoyed this one a lot. Watch for Pavel Petrovich Gogol, a very cool guy.

The Sum of All Fears

Jack Ryan brokers peace in the middle east and discovers that nuclear weapons in the wrong hands can be dangerous. Solid Clancy, and I especially like how he is not afraid to blow big stuff up just because it happens to sit in the continental United States.

The movie, although quite good, changes the story significantly and does not really reflect the breadth of the novel.

The Lost Fleet: Fearless – Jack Campbell

Campbell is back with the second installment in the Lost Fleet series, in which “Black Jack” Geary continues to fight internal and external enemies to get the fleet home. Part of the fleet defects, leaving Geary with an even greater shortage of ships. But by the story expedient of being unpredictable, he continues to fight on. The internal struggle is interesting, as Geary realizes how powerful he can become politically if he brings the fleet home.

This was very much a middle book. No resolution. I have no problem with Campbell’s rather short (by today’s standards) novels but this one could easily have been amalgamated with “Dauntless“.

Note that Jack Campbell is a pen name for John G. Hemry.